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INDONESIA
Gelar : Jurnal Seni Budaya
Published by Institut Seni Indonesia Surakarta
ISSN : 14109700     EISSN : 26559153     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Gelar focuses on theoretical and empirical research in the Arts and Culture.
Arjuna Subject : -
Articles 10 Documents
 1 
Search results for , issue "Vol 20, No 2 (2022)" : 10 Documents clear
Development of "Sam Contemporary Font" Typeface Based on Sam Poo Kong Temple Ornament Dzuha Hening Yanuarsari; Agus Setiawan
Gelar : Jurnal Seni Budaya Vol 20, No 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v20i2.4452

Abstract

The ornamental design found in the architectural building of the Sam Poo Kong Temple gives an oriental unique characteristic. As a cultural heritage tourism destination, Sam Poo Kong Temple is required to develop the concept of information as part of good public service for visitors. Typeface design is a form of visual message design that can represent the image of the designed visual object. The purpose of this research is to design and develop an ornament-based typeface design from the Sam Po Kong Temple. The method used in this research is a descriptive-qualitative method with the ATUMICS theory approach for designing the typeface. In this context, the researcher wishes to bring back the decorative relief motifs that exist in the Sam Poo Kong Temple as a building element for new media with the mission of strengthening the image of the Sam Poo Kong Temple.
World Dance Day: A Cultural Conservation in Maintaining Local Wisdom of Traditional Arts Ana Rosmiati; Supriyanto Supriyanto; Joko Budiwiyanto; Tubagus Mulyadi
Gelar : Jurnal Seni Budaya Vol 20, No 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v20i2.4564

Abstract

The research entitled " World Dance DAay: A Cultural Conservation in Maintaining Local Wisdom of Traditional Arts" was conducted to explore the strengths in maintaining the existence of traditional arts, which began to shift with the introduction of Western culture. World Dance Day was a dance event with a duration of 24 hours. This event had been going on for several years. It had become a routine agenda at ISI Surakarta by involving the public, community, art activists, cultural observers, foreign participants, and others. World Dance Day could be used as branding in building ISI Surakarta amid competition among higher education institutions. Organized events could be media promotions both domestically and internationally. This event was held once a year in April, on the 29th. The problem in this research was how to maintain the existence of traditional arts through the activation of World Dance Day and brand World Dance Day activation as a medium for introducing art. The purpose of the research was to find ways to maintain the existence of traditional arts through the World Dance Day activation and to find ways to make World Dance Day branding activation a medium for introducing dance arts to the community. This type of research was qualitative descriptive research. The data source in this study was primarily data source in the form of World Dance Day activation. The monitoring method was carried out by identifying the types of activation included in World Dance Day. Data were obtained from the World Dance Day activation. Researchers directly observed the World Dance Day activation and saw Youtube and other social media. The result of this research was to find ways to maintain the existence of traditional arts through World Dance Day activation. Apart from that, they also carried out branding in the form of World Dance Day activation as a medium for introducing dance arts to the community.
Comparison of Batang Batik Motifs with Mataram Keraton Batik and Pekalongan Batik Monica Hartanti; Christine Claudia Lukman; Heddy Heryadi
Gelar : Jurnal Seni Budaya Vol 20, No 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v20i2.4504

Abstract

Batang Batik has unique motifs that originate from its historical background as part of the Islamic Mataram Kingdom, and its geographical area adjacent to the coastal batik center of Pekalongan. Batang Keratonan Batik is influenced by the Mataram Keraton Batik, while the Batang Pesisiran Batik is influenced by the Pekalongan Batik. The influence of the Mataram Keraton Batik can be seen from the use of sogan (brown) color, as well as geometric, and organic abstract motifs, while the influence of Pekalongan Batik in the use of bright colors and figurative organic motifs. Even though they have similar designs, there are also differences between the Batang Keratonan Batik and the Mataram Keraton Batik, as well as between the Batang Pesisiran Batik and the Pekalongan Batik. The similarities and differences in visual styles are interesting to study because they show the dominance of power over aesthetic tastes from Pierre Bourdieu's concept; and the phenomenon of mimicry from the STORM theory from the study of social psychology. This research uses a qualitative descriptive approach with purposive samples originating from the Pisan Bali motif on 2 pieces of Batang Keratonan Batik and 1 piece of Mataram Keraton Batik, as well as floral and bird motifs on 1 piece of Batang Pesisiran Batik, 1 piece of Rifa'iyah Batik, and Pekalongan Batik. To reveal the similarities and differences in batik designs, we conducted a visual content analysis of color, motifs, execution of forms, layout, and composition. Furthermore, the concept of Pierre Bourdieu and the STORM mimicry theory were used to reveal the causes of the similarities and differences in visual styles of the purposive samples. The results of the analysis show that the similarities in visual style are due to the influence of power domination on aesthetic tastes in a field, and mimicry is done to gain social advantage, while the differences come from heterodoxy which occurs due to changes in the constellation of power in the social field. 
Kota Kata Kita #3: Interpret the City Through the Perspective of the Performing Arts Dedi - Warsana; Hery - Supiarza; Erik Muhammad Pauhrizi; Irwan Sarbeni
Gelar : Jurnal Seni Budaya Vol 20, No 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v20i2.4412

Abstract

This study discusses the Dramaturgy lecture process using a direct acting practice approach in a theater performance project where the city is positioned as object material, then interpreted and articulated by students through the process of creating theatrical performances. The creation process went through collaborative learning from research on cities, script writing, to creation of works, while Dramaturgy is placed as a theoretical approach in theater creation. This research is an effort to provide empirical experience to students in creating teamwork as a basis for film and television work patterns. This study uses a participatory action research method where the author is involved in all actions taken by film and television (FTV) students. This study found that through project: 1) students gain an understanding of dramaturgy as a science of analyzing drama with all kinds of derivatives related to it, 2) it is more effective to gain empirical experience as a real provision when creating film and Television works, 3) students can create works based on real cases. This research is expected to be able to strengthen KBK in FTV study program and become a treasure trove of intellectual property particularly in Universitas Pendidikan Indonesia and generally become a strategy for developing dramaturgy learning for Indonesia Society
Bedhaya Bedhah Madiun Dance As A Tourism Asset In Pura Mangkunagaran Dewi Kristiyanti; Mamik Widyastuti; Dwi Maryani; Fathurrahman bin Said
Gelar : Jurnal Seni Budaya Vol 20, No 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v20i2.4411

Abstract

The research objective of Bedhaya Bedhah Madiun Dance as a Tourism Asset in Pura Mangkunagaran is a tourism asset that can provide foreign revenue for the Mangkunagaran family. This research uses descriptive analysis by using qualitative approach. The data collection technique was done by observing, interviewing and documenting. The results showed that Bedhaya Bedhah Madiun Dance is an artistic attraction that can be packed in a compact and concise manner where its sacred value is removed into an entertaining performance and presented to domestic and foreign tourists, so it has economic value for Pura Mangkunagaran. Bedhaya Bedhah Madiun dance is a tourist asset, performed in several places with different audiences as well as an interesting dance attraction. Bedhaya Bedhah Madiun dance is composed by new dance movements even though they still using few traditional patterns. The dance movements of the new arrangement are following to the ability of the dancers who are concerned to be entertaining and attractive for tourism. Floor patterns, make-up and dress and dance accompaniment are laid out to support the performance.
Sapta Cipta Rasa Tunggal Offering Dance at the 51st Dies Natalis of ISI Surakarta Suharji suharji; Soemaryatmi Soemaryatmi; Darmasti Darmasti; Efrida Efrida; Sumargono Sumargono; Sri Ningsih Sukirman
Gelar : Jurnal Seni Budaya Vol 20, No 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v20i2.4591

Abstract

This research is a case study of the performance of the offering dance at the ISI Surakarta 51st Dies Natalis Ceremony (held on July 15th, 2015) by seven dancers. The seven dancers previously acted as leaders of the Senate procession, after the members of the senate sat in their seats, they danced to express the character of Bima so that it could be said that the dance was part of the ceremonial event. The sesaji dance is an expression of Bima's character, which in Javanese collective knowledge is a complex system of symbols. This phenomenon is approached through the constructivism paradigm, especially from the point of view of interpretivism where the methodological mission is to elaborate a reflective events. The research question posed is what constitutes a gift or alms in the Sapta Cipta Rasa Tunggal – title of that dance — as offering dance considering that offerings lexico-etymologically means giving alms or charity. Triangulative data as objects of observation are videos of dance performances via the YouTube platform, interviews with source persons, and library data. The conclusions drawn are: 1) this sesaji dance is a form of mnemonic (kinetic mnemonic) in the form of motion as a tool for reflective memory; 2) offering dance and imitation of the imaginary character in the kind of the Bima containing doxa – knowledge that does not need to be verified – that the ethical attitudes that humans should have are teteg, tatag, teguh, tanggon, and tanggap.
SYMBOLIC INTERACTION ON INDIGENIOUS PEOPLE OF MANGGARAI, FLORES NTT (A Study on Local Wisdom of Penti Ceremony in the Context of Environment Preservation Erna Mena Niman
Gelar : Jurnal Seni Budaya Vol 20, No 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v20i2.4276

Abstract

The problem of forest destruction really needs wise efforts of conservation. One of the efforts is to make use of society’s local wisdom. This study aims at examining the meaning, and values contained in the Manggarain Penti cultural ceremony in the context of forest conservation. To reach the objectives in question, interview, observation, and documentation were used to collect data which were subsequently interpreted following symbolic interaction theory. Findings revealed that aside from as a pillar of conservation, Penti also has several meanings, namely pillar of spiritual life (gratitude and request), forum for togetherness, a behavior controller, and as a means of self-recovery /repentance. Meanwhile, based on the meaning given, in addition to ecological value, Penti also has religious value and social value. Thus, penti is concerned with eco-socio- telogy Manggaraian conception toward the existence of nature. 
Achievement Of Online Piano Learning At University Rachmajumadila Agustint; Rita Milyartini
Gelar : Jurnal Seni Budaya Vol 20, No 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v20i2.4347

Abstract

Online piano learning occurs because of the development of increasingly advanced technology. Learning that was initially only carried out face to face directly had a time limit so that with the development of technology students could learn with various types of media used. Various kinds of media used by teachers improve student learning outcomes and motivate students to learn piano online. The purpose of writing this article is to see how the achievement of piano learning is carried out online through the use of various learning media. This article is based literature review on online piano learning published over the last ten years. Some data obtained a significant difference between the experimental class and the control class where student learning outcomes increased in the experiment class compared to the control class so that the use of online media in piano learning can improve student learning outcomes.KEYWORDS : Technology, Online piano learning, Variety of media, Achievement 
Promoting Ethnocultural Traditions Through Sodoran Dance Learning Trisakti Trisakti; Anik Juwariyah; Fithriyah inda abida
Gelar : Jurnal Seni Budaya Vol 20, No 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v20i2.4375

Abstract

This research aims to reveal the nature of ethnocultural of Tenggerese people through Sodoran dance learning. Efforts to disseminate dance to students through creation and performance activities will increase their appreciation for the arts and culture of the community. Learning dance is one of the ways to preserve and transmit ethno-cultural traditions. This enhances the interest of the younger generation in gaining a deeper understanding of their culture, as well as the preservation and development of culture. This study used a qualitative method with a pedagogic approach. Sources of research data include: (1) Resource persons or people who are directly or indirectly involved in the dance learning process; (2) The dance learning process includes dance materials, teacher abilities, student behavior, and environmental resources. Data collection techniques are carried out through literature study, observation, and interviews. The result shows that through the learning process of Sodoran dance, students are able to appreciate the message contained within the dance and experience the cultural values that are embodied in Sodoran dance. This activity escalates their awareness to the outlook and culture of Tenggerese people. 
Relevance of the Values of Bedhaya Ketawang In the Life of Society Today Maryono Maryono; Setya Widawati; Ni Nyoman Yuliarmaheni; Slamet MD; Dwi Wahyudiarto; Midiyanto Midiyanto
Gelar : Jurnal Seni Budaya Vol 20, No 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v20i2.4576

Abstract

Surakarta, a city formerly under the rule of the New Mataram dynasty established by Paku Buwana II in 1746, inherited a wealth of arts which led to its designation as a cultural center. Jumenengan is a cultural legacy in the form of a ceremony, held annually in the Javanese month of Ruwah, on the day of Selasa Kliwon, or Anggara Kasih, to celebrate the anniversary of the coronation of the king of Kasunanan Surakarta. The main prerequisite of the Jumenengan ceremony is the performance of the Bedhaya Ketawang dance, which provides legitimacy for the ceremony. The position of the Bedhaya Ketawang dance in the Jumenengan ceremony is as an heirloom with magical, sacred, prestigious value. Its presence gives legitimacy and credibility to the continued power of the king. As a cultural legacy, the Bedhaya Ketawang dance contains life values that can be absorbed both implicitly and explicitly. These include spiritual values, values of love for the natural environment, ethical values, aesthetic values, and values of love, all of which are relevant to the life of society today. The relevance of these values provides encouragement and motivation to build and develop the character of the Indonesian nation today as a society of faith, devotion to God, noble character, healthy knowledge, skill, creativity, independence, democracy, and responsibility.

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